365 tomorrows
Kevin Gilbert
Been trading messages with a fellow Toy Matinee fan on MySpace. Toy Matinee was a very obscure music act in 1991, a one-album wonder with a very minor hit in Last Plane Out. I found that song when I was on WIRX in the early days, bought the album because of it, and still love the album as a top ten fave to this day.
Kevin Gilbert died ten years ago last week (clickity) and I had always heard that there was a big issue between he and Sheryl Crow, but had never heard the story.
Now I know the story, thanks to Allen: (no idea what his source is)
Sheryl Suzanne Crow was born February 11, 1962, in Kennett, MO. Her parents had both performed in swing orchestras, her father on trumpet and her mother as a singer; her mother was also a piano teacher, and ensured that all her daughters learned the instrument starting in grade school. Crow wrote her first song at age 13, and majored in music at the University of Missouri, where she also played keyboards in a cover band called Cashmere.
After graduating, she spent a couple of years in St. Louis working as a music teacher for autistic children. She sang with another cover band, P.M., by night, and also recorded local advertising jingles on the side.
In 1986, Crow packed up and moved to Los Angeles to try her luck in the music business. She was able to land some more jingle-singing assignments, and got her first big break when she successfully auditioned to be a backup singer on Michael Jackson's international Bad tour. In concert, she often sang the female duet part on "I Just Can't Stop Loving You," and was inaccurately rumored by the tabloids to have been Jackson's lover.
After spending two years on the road with Jackson, Crow resumed her search for a record deal, but found that record companies were only interested in making her a dance-pop singer, which was not at all to her taste. Frustrated, Crow suffered a bout of severe depression that lasted six months. She revived her career as a session vocalist, however, and performed with the likes of Sting, Rod Stewart, Stevie Wonder, Foreigner, Joe Cocker, Sinead O'Connor, and Don Henley, the latter of whom she toured with behind The End of the Innocence.
She also developed her songwriting skills enough to have her compositions recorded by the likes of Wynonna Judd, Celine Dion, and Eric Clapton. Thanks to her session work, she made a connection with producer Hugh Padgham, who got her signed to A&M. Padgham and Crow went into the studio in 1991 to record her debut album, but Padgham's pop leanings resulted in a slick, ballad-laden record that didn't reflect the sound Crow wanted. The album was shelved, and fearing that she'd let her best opportunity slip through her fingers, Crow sank into another near-crippling depression that lingered for nearly a year and a half.
However, thanks to boyfriend Kevin Gilbert, an engineer who'd attempted to remix her ill-fated album, Crow fell in with a loose group of industry pros that included Gilbert, Bill Bottrell, David Baerwald, David Ricketts, Brian MacLeod, and Dan Schwartz. Dubbed the Tuesday Night Music Club, this collective met once a week at Bottrell's Pasadena recording studio to drink, jam, and work out material. In this informal, collaborative setting, Crow was able to get her creative juices flowing again, and the group agreed to make its newest member -- the only one with a recording contract -- the focal point.
Crow and the collective worked out enough material for an album, and with Bottrell serving as producer, she recorded her new official debut, titled Tuesday Night Music Club in tribute. The record was released in August 1993 and proved slow to take off. Lead single "Run Baby Run" made little impact, and while "Leaving Las Vegas" attracted some attention through its inclusion in the acclaimed film of the same name, it reached only the lower half of the charts. A&M took one last shot by releasing "All I Wanna Do," a song partly written by poet Wyn Cooper, as a single. With its breezy, carefree outlook, "All I Wanna Do" became one of the biggest summer singles of 1994, falling just one position short of number one.
Suddenly, Tuesday Night Music Club started flying out of stores, and spawned a Top Five follow-up hit in "Strong Enough" (plus another minor single in "Can't Cry Anymore"). Crow was a big winner at the Grammys in early 1995, taking home honors for Best New Artist, Best Female Rock Vocal, and Record of the Year (the latter two for "All I Wanna Do"). Her surprising sweep pushed Tuesday Night Music Club into the realm of genuine blockbuster, as its sales swept past the seven million mark. After close to a decade of dues-paying, Crow was a star.
Unfortunately, success came at a price. In 1994, Crow had been invited to perform "Leaving Las Vegas" on Late Night With David Letterman. In a brief interview segment, Letterman asked if the song was autobiographical, and Crow offhandedly agreed that it was. In actuality, the song was mostly written by David Baerwald, based on the book by his good friend John O'Brien (which had also inspired the film).
Having been burned by the industry already, some of the Tuesday Night Music Club took Crow's comment as a refusal to give proper credit for their contributions. Baerwald in particular felt betrayed, and things only got worse when O'Brien committed suicide not long after Crow's Letterman appearance.
Although O'Brien's family stepped forward to affirm that Crow had nothing to do with the tragedy, the rift with Baerwald was already irreparable. Some Club members bitterly charged that Crow's role in the collaborative process was rather small, and that the talent on display actually had little to do with her.
Tragedy struck again in 1996 when Crow's ex-boyfriend, Kevin Gilbert, was found dead of autoerotic asphyxiation. Stung by the charges, Crow set out to prove her legitimacy with her second album when the heavy touring for Tuesday Night Music Club finally ended. Bill Bottrell was originally slated to produce the record, but fell out with Crow very early on, and the singer ended up taking over production duties herself.
posted by Tommie Closson @ 17:54
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